beyond creation - algorythm

wow, what a strong effort of canada's beyond creation. i knew that these guys were good because i have a tape version of their debut "the aura" (didn't write about it yet) but after i listened to "algorythm", i just sat there in awe unable to fully comprehend the beauty of this album. but from the beginning. i stumbled upon the silver vinyl version over at high roller records. they distribute most stuff from french label season of mist here in germany and so they offered "algorythm" on pre-order.

i believe, i listened to one song on the tube and thought it was money well spent. when it arrived together with the behemoth record, i was a bit distracted by "i loved you at your darkest" and thus grabbed "algorythm" fairly late for a listen. i already told you about my first impression and after repeated listens the record just got better and better. an outstanding mix of progressivity, melody and heaviness. listen to "ethereal kingdom" and the title track and be blown away.

the presentation is top notch as well. season of mist released beyond creation's third full length in a slick gatefold sleeve with a nice embossing on the front. the cover art by tierno beauregard is amazing by the way. ominous and beautiful at the same time. in this edition the dual disc release comes on silver vinyl cut at 45 rounds per minute to ensure best sound quality. a breath-taking technical/progressive death metal release and next to obscura's "diluvium" the best of the year so far. 350 copies made. season of mist records. 2018.

behemoth - i loved you at your darkest

the new piece of behemoth and what a mammoth work this is. the pre-order process was somewhat sketchy. everywhere the record and its different versions were offered, only mock-up photos concerning the vinyl colour-ways were to be seen. those mock-ups indicated a clear merge pattern which would have been very interesting because i only know of opaque colours for merge patterns. i actually was tempted to get the u.k. version but shipping costs put me off.

so i went for the clear/bronze version, it was available via a few german distros and looked pretty cool in the mock-ups. though, i doubted the actual outcome would come close. when the package arrived i was truly blown away. the whole record looked simply amazing. the gatefold comes with partial gold ink printed on a lovely matte cardboard gatefold sleeve. it includes a booklet with fantastic hints to biblical events and their respective paintings.

there is the binding of isaac by abraham, the beheading of holofernes by judith, archangel michael and the weighing of souls, the moulting of apostle bartholomew and a few more which i didn't recognise yet. the colour-way of the vinyl is cool, too. it has nothing to do with the pictures shown beforehand but still nice. coke bottle clear (a teal tinge) with a bronze centre cut at 45 rounds per minute for perfect sound.

musically behemoth delivers a coherent piece of most delicious quality. they actually took the foundation of their death metal sound of "the apostasy" and "evangelion" and added a few new surprising elements like weird clean vocals or an almost catchy chorus. but don't worry, it all blends into the typical behemoth sound seamlessly. fantastic album all around. limited to 500 copies. going to catch them live next year in february. yeah! nuclear blast. 2018.

obituary - back from the dead

i am finally back with some obituary vinyl. i thought the title of the album was pretty apt for my little comeback here. we moved into the new house eventually and now i feel like i can lean back and dive headfirst into my vinyl collection again. in the meantime a few bits landed at my doorstep but this is one from the old batch. i recieved "back from the dead" with the self-titled devildriver record.

when i ordered the latest two vinyl re-issues from relapse, listenable records from france offered a few re-issues of old obituary classics theirselves. in a reliable regularity listenable cranks out those roadracer/roadrunner classics from the death metal heyday in the early nineties. suffocation, gorguts, malevolent creation and now obituary. they started with "the end complete", "dead" and "back from the dead". i opted for the latter one because i have an original of the first one and don't need another live record of obituary.

the album marks the last recording before the band went on a hiatus for six years. considering the dark times for death metal in the late nineties, i suppose the record wasn't commercially successful. musically it is a typical obituary piece of doomy death metal the way i like it. listenable did the album justice with its vinyl treatment. slip sleeve, heavy cardboard stock insert and semi-translucent red vinyl make for a sharp first vinyl pressing. 1000 copies made. roadrunner records. 1997. listenable records. 2018.

devildriver - s/t

devildriver again. this time with their self-titled debut and its first vinyl edition. i remember when i was listening to bands such as korn, system of a down or deftones there was another band on heavy rotation in my discman. coal chamber and their three records got a lot of playtime and i was pretty disappointed when they called it a day in 2003. almost in the same breath vocalist dez fafara intorduced his new band - devildriver.

back in 2003 social media wasn't big at all. if one was lucky, record labels offered mp3 downloads of one or two singles. so i was eagerly waiting for my favourite metal show on music television to watch the video for "i could care less", the first single of the album. when the album finally dropped, a friend of mine bought it and i got a burned cd copy. i was playing it a lot and bought my own original cd copy years later. therefore it was really a no-brainer for me to pick up this vinyl version.

after i listened to the record from start to finish, my impression was not too overwhelming. i mean, still i could sing along and knew the breaks and solos but the album didn't age that well. it's still a solid debut with one or two real hits but in comparison to "the fury of our maker's hand", one feels that the band needed this first album to find their own identity. a must have for any remote sympathiser of devildriver, anyway. nice vinyl edition that comes with single sleeve, printed dust sleeve and slick white with brown splatter vinyl. 1500 copies made. bmg. 2018.

zaum - oracles

ah man, i couldn't resist. if you read this blog regularly, you may have noticed that i bought this album on tape a few weeks back. when i started out buying tapes i actually swore to myself to not buy multiple copies on different formats, because cassettes seemed like a convenient way to save cash on pricey vinyl versions.

after i listened to "oracles" pretty often in the bygone weeks, i felt more and more tempted to get the vinyl version because of the fantastic cover art. to have that in vinyl format felt way cooler than to look at the cassette. a recent repress on yellow vinyl was steadily available at ebay and i was fighting with the voice of reason and the voice of temptation. in the end temptation's voice screamed louder and again i found myself being unable to resist.

on the one hand i am annoyed that i gave in and that self-restraint isn't my specialty, but on the other hand that sweet vinyl edition makes me smile everytime i pulled it from the racks. the cover art by carter doody looks just so good and the nice opaque yellow vinyl looks very nice in the whole context. (my camera had problems to actually capture the vinyl colour properly - well, nevermind)

i can only repeat myself when i say that zaum's debut is one of the best doom metal records i came across this year. the album was released in 2014, so i am a bit late here. the fact that with this yellow vinyl edition "oracles" is in its third pressing already, stands for the quality of the album. don't know how many of this scorcher have been pressed. i hate records. 2014/2017.

devildriver - beast

the next album i bought from the devildriver re-issue catalogue was their fifth full length called "beast". it was the last of theirs which i obtained when it came out. never listened to any tunes after "beast". maybe i will have to rethink this. anyway, i always thought that this album from 2011 was a splendid one. again, devildriver could not make a record without one or two fillers but the overall quality of "beast" is remarkable.

as much as i like to hear the band's recorded material, their three live performances i saw so far (club and festival shows) have always had a very bad sound. they were a complete blur and dez fafara's voice sounded so weak. maybe this was all due to a drunk soundman or something but i rather spin one of their records than attend a devildriver live gig again. just like with "the fury of our maker's hand" the re-mastered album is a pleasure for the ears.

back in the day i bought the digipak cd version which came with a black and red coloured cover. i am delighted to see that bmg went for the regular cd version cover with the lovely purple and green colour theme. they went above and beyond with the vinyl colour-way and came up with a sugar sweet merge pattern. what beauties those two discs are, aren't they? the gatefold is made in a different fashion from the cargo/roadrunner first pressing. the lyrics are printed onto the inner gatefold and not on printed dust sleeves. 1500 copies made. bmg. 2018.

devildriver - the fury of our maker's hand

another record, another re-issue. well, not quite. devildriver's sophomore album "the fury of our maker's hand" was released in 2005 on roadrunner records as a cd only edition. to this point it was never pressed to vinyl, so actually one could call this first press. but let's not get too technical. back then i bought the cd and while their debut blew me away, "the fury..." left a deeper impression on me. there are a few songs on the album that i consider as the best melodic death metal pieces, i have ever listened to.

therefore it was out of the question that i was going to buy the re-issue as soon as they were announced. i pre-ordered my copy at jpc.de and the order went down as smooth as can be. my copy arrived in perfect condition. when i dropped the needle on it for the first time, it was the first spin of the album in years and i was suprised at how good i still knew all the details of the songs. to me it aged pretty well. still, not every song is pure gold but i don't recall a single devildriver album without a few weak spots.

nevertheless, "hold back the day", "sin & sacrfice" or the title track are unbelievably strong efforts and justification enough to buy the record. the re-master sounds awesome, i was pleasantly surprised at the thick sound of the vinyl - real good job. i loved the artwork in cd format already but in vinyl size the colour gradient is even sweeter. the vinyl colour itself is the perfect match. semi-translucent orange with black and blue splatter out of 1500 copies. lovely album and vinyl edition. bmg. 2018.

obituary - ten thousand ways to die

when the pre-orders for the new pressing of the obituary self-titled record went live, relapse also offered another bit of obituary vinyl. in 2016 the band released an e.p. with two new songs and a selection of live songs played throughout a north american tour. back then it was pressed to cd and to black vinyl only. now the label decided to give the release the colour vinyl treatment. usually i don't care for such e.p.'s but i got caught up in the excitement and ordered a copy of the most limited colour-way.

a few things went wrong from there on. first one wasn't my fault. after a few weeks i got an e-mail from relapse telling me that they had european warehouse problems and couldn't deliver me the most limited edition anymore. great! what's the use of being quick to the pre-order when the label fucks up your order? they offered me a copy of the lesser limited version and of course i said "yes". the release date came and no shipping notification. i waited a week or so and still no info. i fired off a mail and they answered with a new shipping date, which faced another uninformed delay. man, i don't have a problem with waiting, just keep me informed. that is all i ask for.

the last thing that went wrong was well my fault. i did not know that the two studio songs were not part of the vinyl edition but the live songs only. oh boy, after all this hassle with the colour-way fuck up and the shipping delay, i didn't even get the two studio songs i was actually interested in (ok, the title track is also on the self-titled record). i don't think i will play the record much and will most likely end up selling it at some point. all in all a dissatisfying order with relapse. not the first one. i will stick to my strategy of avoiding to order directly from them where possible. relapse records. 2016/2018.

obituary - s/t

i am pretty busy at the moment. my wife, the kid and i are in the process of moving into a new house and a bit of refurbishing is necessary. therefore i won't have too much of spare time this month. enough of that for now. the first post of the month is reserved for the latest obituary full length released a year ago on relapse records. i missed out on the first coloured run and so i sat and waited for a further pressing. this came a few months ago and i pre-ordered quickly.

thanks to social media in the form of instagram i was fast enough to grab a limited colour edition, which i most likely would have missed out on if i relied on the newsletter only. for this pressing relapse changed the cover colours a bit and gave the lettering plus dragon a green tinge. furthermore there are two bonus tracks included and the vinyl comes on semi-translucent green with splatter vinyl. all this limited to 100 copies only. so far, so good.

this sounds like a pretty sweet obituary vinyl package, if there wasn't a minor problem. musically this is the weakest obituary effort i came across so far. i played it a few times and there are just a few songs from the b-side that really can keep my attention up for their whole duration. the rest is like lift background music. to be fair, i just listened to it a handful of times so maybe it will grow on me but for now i am quite underwhelmed. relapse records. 2017/2018.

rivers of nihil - monarchy

i bought the latest rivers of nihil record just a few month ago. "where owls know my name" must have been quite a commercial success. the limited vinyl versions were gone pretty fast and are already subject to insane second-hand prices. if discogs is to be believed a copy of the version i have already sold for ninety five bucks. jesus, crazy that someone gives that much cash for a record shortly after release date. it seems that in the wake of these events, metal blade decided to give the band's second full length "monarchy"the vinyl treatment to cash in.

this strategy worked with me again. when pre-orders went up at emp mailorder, i did not need much time for consideration and bought a copy of the most limited european colour-way right away. musically "monarchy" is less experimental than "where owls know my name" and thus less unique. but when it comes to quality and coherent atmosphere, "monarchy" takes the cake. all in all rivers of nihil's second full length will get more spins on my turntable than its successor. really good prog/tech death metal album all around.

the presentation by the label is very neat. the album comes in a gatefold sleeve graced with artwork of the infamous dan seagrave. i love the art he contributed to albums of bands like the black dahlia murder, entombed or xibalba and this one looks ominous and epic in a way, only seagrave can pull it off. the vinyl colour is a beauty as well. bone/bronze merge makes me think of a good latte macchiato. this version is limited to 100 hand-numbered copies. funnily i got #80 again. metal blade records. 2015/2018.